Twenty years ago, seven superstar artists left Marvel Comics to create their own company, Image Comics, a company that continues to influence mainstream comics and pop culture to this day. Image began as more than just a publisher - it was a response to years of creator mistreatment, and changed comics forever. The Image Revolution tells the story of Image Comics, from its founders' work at Marvel, through Image's early success, company difficulties during the comics market implosion, and ultimately the publisher's new generation of properties like The Walking Dead. Filled with colorful characters, the film is a clarion call to artists to take control of their destiny.

A woman and her daughter vacationing in Paris get caught up in intrigue after being witnesses to a murder.

A police detective is trying to locate his missing daughter, while solving other cases.

The twelve-year love story of two individuals with completely opposite personalities who unexpectedly met on a group blind date.

Love and marriage bloom in a game of truth with a woman who lives a fake life and a woman who tries to reveal it.

The Vatican sends a priest to verify some miracles, performed by a woman who has been nominated for sainthood...

Every machine needs fuel.... Every machine needs repair... Every machine breaks down.

The Third Memory, 2000. Two-channel video projection, with sound, 9 min., 32 sec.; single-channel video with sound, 22 min., 30 sec.; and thirteen inkjet prints, edition 2/4, dimensions variable. 　　Using time, memory, and the texture of everyday experience as his mediums, Pierre Huyghe conflates the traditional dichotomy between art and life. Working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. A mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, The Third Memory (2000), which reenacts the 1972 hold-up of a Brooklyn bank immortalized in Sidney Lumet’s acclaimed film Dog Day Afternoon (1975). Almost 30 years later, Huyghe provides a platform for the heist’s charismatic mastermind, John Wojtowicz, to relate his version of that infamous day in a reconstructed set of the bank. However, rather than clarify the personal history that Hollywood wrested from him, Wojtowicz appears to have been heavily influenced by the film, a testament to the inextricable merging of real events, the distortions of memory, and the mediating power of popular culture.

When a New England dysfunctional family gathers for Thanksgiving, past demons reveal themselves as one son returns for the first time in three years.

The dark secret of the most wealthy and powerful man 謝罡 in Shanghai in the 1930s is related to a mystic Buddha statue from a secret Miao tribe. His son 尚楚 (Andy Lau) will find out his family's fate once the Buddha is missing...